Now, sure, these obscure examples are fascinating, given the lesser-known bands I’ve had lifelong connections to, but can you imagine your favorite hit artists owning a library of unreleased material? You have the Beatles’ experimental oddity “Carnival of Light”, the stolen Green Day album Cigarettes and Valentines that was reworked into American Idiot as the ultimate blessing in disguise, and that one Wu-Tang Clan album that was valued higher than any other album in history. Then, you have the Imagine Dragons, who have always been a mixed bag for me. “Bones” has become the theme song for The ElectroNuke, the main hero of my comic series, and I genuinely like “Natural”, but you also have overplayed classics like “Radioactive” and “Demons” that I never want to hear for the rest of my life. So, would you believe that the highest-potential song of theirs to resonate with me has been withheld from release while practically every other one sells out? Yeah, I sometimes wonder if this world hates my guts myself.

That’s not due to any controversy or objectionable material, though. Before they hit a home run with “Radioactive”, they showcased a song during at least two public performances titled “I Wish You Well”, which they would never go on to release on any future EPs. Information on it was scarce, and if you wanted to hear it, you only had two options: a fifty-second HD sample was played on the Official Blue Microphones Podcast, and the other was its second stage performance at the Velour Live Music Gallery in Provo, Utah. This second recording captures the full song. The only problem? The quality’s so unbelievably egregious that it’s believed by many to be intentional, as a sort of practical joke on those who wish to hear it. This happens with a lot of lost media, and as you can see, it’s pretty fucking obnoxious. As a matter of fact—and this is in no way a self-shill, considering what happened this month—I’d released an “I Wish You Well” mix that combined the HD snippet with three other Imagine Dragons songs: “Believer”, “Walking the Wire”, and “I Don’t Know Why”. No, that last one is not a Norah Jones cover. The editing’s a little gimmicky, but it was considered by certain commenters to be the closest we’d get to a full-length HD version for a long, long time.

Then, this past holiday season came, and we got one hell of a Christmas miracle.

There were definitely some intriguing surprises that came with this studio version. First off, it sounds less sci-fi and more closely resembles “Satellite” by Guster, another favorite of song of mine that’s been associated with ElectroNuke, namely the soundtrack for the also currently hypothetical ElectroNuke: The Animated Series. Something else that was apparent to me was where the snippet occurs in this version, that being nothing longer than the instrumental break and the start of the final repetition of the chorus. The tiny fraction the snippet captured was so miniscule that it wasn’t until now that I ever even had the full scope of the overall tune, given how unique the instrumental break is from the rest. Suffice it to say, this was so satisfying to experience—I’d been glued to this lostwave treasure for six or seven years now, having even released the closest thing to a full-length HD release—that I joked with my mom afterwards that there were few other presents I could’ve asked for this year. Yet, even then, one of the best I received happened to be a custom long-sleeve tee depicting the three main heroes from ElectroNuke, the Killer Watts, ironically taken straight from the album cover for the ElectroNuke: The Animated Series soundtrack.

Guess this world doesn’t hate my guts after all!

I Wish You Well
Don’t you give me any “some dreams can’t come true” bullshit.

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